出生年份： 年
擅 长： 油画
毕业院校： 其他学校
| 创作年代 | 尺寸 | ||
|---|---|---|---|
| 材质 | 综合材料 | 装裱 | |
| 题材 | 所属系列 | 作品 | |
| 作品描述 | 第一次欣赏威尔第和普契尼的歌剧让我染上了老戏剧的癖好。渐渐地，我开始对探索戏剧中男女角色的不相容性产生了兴趣。具体来说，尽管她们的背景或特点，许多女性主角在剧院拥有一个美丽和自由的精神世界，像蝴蝶。相反，许多男性角色往往拥有太多的权力和名望的欲望，以及能够感动人。这些男性角色通常被描绘成吞噬女性角色，就像蜥蜴在蝴蝶上祈祷一样。最有趣的是，这些女性角色往往选择留在这些男人的情感或物质需求，无论上述动态。这种与生俱来的冲突有时会激怒我。我选择使用经过火焰处理的纸张来表现这些角色之间燃烧的热张力，以及他们灰烬般的未来。我相信现代性别之间的尊重、包容和平等，但这样一个不相容的主题无疑会持续下去。这项研究同时表明，像蝴蝶一样美丽的人格应该避开蜥蜴这样的人物，选择自己的未来。The first time enjoying Verdi and Puccini’s opera allowed me to catch the old theater bug. Gradually, I become interested in exploring the incompatibility between male and female characters in theater. Specifically, despite their background or characteristics, many female protagonists in theater possess a beautiful and free spiritual world, like the butterfly. On contrary, many male characters often possess too much desire for power and fame, as well as the ability to move people. These male roles are often portrayed to devour female roles like lizards praying on butterflies. Most interestingly, these female characters often choose to stay around these men for emotional or material needs regardless of the aforementioned dynamic. Such innate conflict sometimes angers me. I choose to utilize the fire-treated paper to represent the burning hot tension between these characters, as well as their cindering future. I believe in respect, inclusivity, and equality between modern genders, but such a theme of incompatibility will inarguably persist. This work simultaneously suggests that personalities as beautiful as butterflies should avoid characters like lizards and choose their own future. | ||
出生年份： 年
擅 长： 油画
毕业院校： 其他学校
展览时间：2020.10.31 - 2020.12.31
展览地点：北京市朝阳区崔各庄奶东村吉祥寺桥北900米
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